CUSTOMIZE YOUR OWN KATANA HANDMADE JAPANESE SAMURAI SWORD
welcome First of all, what you see is a basic price, there are a variety of choices about your customized sword, when you complete the whole sword, you will get a final price. if you have other questions, please contact our free!!!
Best
seller
$230.00 ~
We can ship all over the world! If your address is no longer in our shipping range, please contact us because it involves shipping costs!
HERE IS SOME CUSTOMZIE WORK SHOWED
$230.00
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Hello:
In order to meet different customer needs, we provide a variety of customization services, such as different steel blades, various sizes of blade, diversified accessories, hamons, shears, ito, bohi, etc
The available options are detailed in each section of the module, and our system is designed to prevent you from choosing incompatible options. Before making a choice, make sure you have read all the instructions and that you carefully read your order before adding the product to the cart.
Please feel free to contact us for more information on these options before placing any order.
The production time of fully customized Katana is from 10 days to 90 days. Although our production time calculation system is relatively accurate, due to the nature of the process, it is impossible to predict the exact production time. There may be delays, especially when the artisan realizes that a part does not meet expectations when assembling the sword. Delays do not result in cancellations, order changes or refunds. All orders are final.
Blade specifications
Blade bottom width
~31 mm
Blade tip width
~ 21mm
Thickness of blade bottom
~ 7mm
Thickness of blade tip
~ 2.6mm
C: The blade is full tang?
H: yes, our all japanese is full tang.
c: can i customize these katana swords?
H: yes, all japanese swords accept customize work. please check here
Iaito Customizations
We Accept Any Customize Work Of Katana Swords, We Have Customized A Lot Of Unique Swords For Our Customers.
For Customers Who Don't Know Exact Details Of The Sword But Want To Design A Unique Dream Sword, You Can Choose From The Following Koshirae, Saya And Blade Etc Listed. Simply Send Us Your Customize Options Through Ebay Message System After We Will Create The High Quality Sword For You Soon And Keep Your Mind Of Your Sword.
Have You Seen Your Dream Sword For Sale On Another Website But The Price So High Than Your Expectant? Please Contact Our With The Sword Original Edition Pictures And Details, We Can Make The Sword At A Cost-Effective Price For You And Confirm Final Details. After Start Make Sword Unto Finished And Take Pictures Let You Confirm Consignment.
Blade Length
Length: This Is Just A Reference Size Chart, We Recommend You To Ask Your Sensei For Choosing The Most Suitable Size For Your Katana.
Please also make sure to consult your teacher to check that the size table below is applicable to your school.
Your height
Length for men
Length for women
~ 150 cm
2.20shaku/66.7cm/26.3”
N/A
~ 155 cm
2.25shaku/68.2cm/26.9”
2.20 shaku / 66.6 cm
~ 160 cm
2.30shaku/69.7cm/27.4”
2.25 shaku / 68.2 cm
~ 165 cm
2.35shaku/71.2cm/28.0”
2.30 shaku / 69.6 cm
~ 170 cm
2.40shaku/72.7cm/28.6”
2.35 shaku / 71.2 cm
~ 175 cm
2.45shaku/74.3cm/29.3”
2.40 shaku / 72.7 cm
~ 180 cm
2.50shaku/75.8cm/29.8”
2.45 shaku / 74.2 cm
~ 185 cm
2.55shaku/77.3cm/30.4”
2.50 shaku / 75.8 cm
~ 190 cm
2.60shaku/78.8cm/31.0”
2.55 shaku / 77.3 cm
Up to 200 cm
2.65shaku/80.3cm/31.6”
NA
The Hamon is a visual effect created on the blade by the hardening process. In the case of real blades made of steel, clay is applied on the blade prior to the cooling process, and the difference in hardness between the edge and the rest of the blade results in this line called "Hamon". It outlines the transition between the region of harder martensitic steel at the blade's edge and the softer pearlitic steel at the center and back of the sword. This difference in hardness is the goal of the whole process; the appearance is purely a side effect but the Hamon became a very important artistic feature that defines the level of mastery of the swordsmith. Iaito being made from an alloy, the Hamon is printed by depolishing the blade using specific patterns and Jisei's craftsmen do their best to reproduce the most famous Hamon.
The Suguha, Midare, Notare and Gunome Hamon are standardized Hamon. They are a kind of mix between the most common type of existing Hamon. All other models are fairly faithfull reproductions of Hamon existing on antique blades. Hamon are named either by the name of the Samurai who possessed the sword (for famous swords) or the name of the swordsmith (for the most famous swordsmith). Their price depends on the quantity of work needed to reproduce them.
The groove, called “Hi” or “Bohi” in Japanese, has several purposes; it can make the blade lighter and more flexible or help draining the blood for instance, but some options are simply aesthetic (like Marudome). There are two kinds of options. One kind concerns the groove itself (standard, deep or no groove). These options are not available on lightweight blades. The other kind concerns the finish (Kakinagashi, 5 Bun Dome and Shinken hi). Of course, there are no finish available when the option is "without groove".
Standard groove: the most classical groove.
Deep groove: deeper groove than standard. It is useful to get a lighter blade and move the balance towards the Tsuka. It might also make the sound louder during cuts. Impossible to craft in the case of lightweight blades. The deep groove removes around 50 g from the blade's weight.
Double groove (full custom Iaito only): consists in two shallow and thin grooves instead of one. The final weight of the blade is slightly superior to a standard groove (when combined with the finish options bellow, the cost of the finish is applied twice, once per groove). The standard finish for the bottom of the blade (Hi-dome) is Kakinagashi. "Standard Hi-dome" cannot be selected.
Without groove: this option makes the blade heavier. Removing the groove increases the total weight by about 50 g on standard blades, and up to 150 g on heavy blades. The whistling sound disappears almost completely.
Hi Dome: Standard: the groove has an ogival shape and stops approximately 4 cm from the Habaki.
Hi Dome: Kakinagashi: the groove goes on under the Habaki. It makes the blade even lighter and moves the balance of the blade further towards the Tsuka.
Hi Dome: 5 Bun Dome: the groove is moved closer to the Habaki (1.5 to 2 cm). It makes the blade slightly lighter and moves the balance of the blade towards the Tsuka.
Hi Dome: Marudome: The groove is manually carved in a round shape on the Habaki end, similarly to most Shinken blades. This option is purely aesthetic.
Hi Saki: Shinken: this kind of finish looks like the grooves that can be found on Shinken. The tips of the grooves where it connects with the Kissaki (tip of the blade) are manually and delicately crafted so that both merge very naturally in the form of a triangle (standard groove have an ogival shape). This option is particularly good-looking.
Due to the space necessary for the engraving, this option is incompatible with the following groove options: Kakinagashi and 5 bun dome.
This service is a handmade engraving at the bottom of the blade. The engraving is made by a master artisan independent from the main workshop, which explains the cost.
The engraving comes between the Habaki and the groove.
It is possible to engrave on either side, Omote or Ura, or both sides at the same time. - Omote: the side that faces the outside (visible to others) when the sword is in its Saya at your hip. - Ura: the side that faces the inside (not visible to others) when the sword is in its Saya at your hip.
The maximum of letters without modifying the groove is 2 letters per side.
It is possible to engrave in English and Japanese only. Other languages would be considered as logo engraving (see below for this option)..
Please use the "instruction" field to type the details of your engraving. Specify which letters goes to which side. You can also attach an image. Engravings are done manually by an expert craftsman. It can take more than an hour for each caracter. Only text can be engraved with this service.
If you do not have a clear understanding of your engraving request, please contact us prior to placing your order.
For "logo/design" engraving, please contact us prior to placing your order. Undiscussed logo/design demands or demands for other languages than English or Japanese will be ignored.
The Tsuba is the guard for the sword and has the function to protect the hand from the opponent's blade but also from having one's hand sliding onto the blade during Tsuki (thrust) techniques. It though has two more qualities: aesthetic and balance adjustment. During the Edo period, the Tsuba turned progressively into a decorative ornament, often generously worked, giving every sword a personal and special touch.
The Tsuba can present one or two holes on the sides that were used to draw the Kogatana (small knife) or Kogai (hair spike) that were fitted inside the sides of the Saya. The Tsuba used to be made by entire dynasties of craftsmen who only specialized in that particular field, almost vanished in the present time.
The average weight of a standard Tsuba is 100 g. A heavy Tsuba (> 100 g) will tend to shift the balance downwards the handle, making the Iaito easier to handle whereas a light Tsuba (< 100 g) will push the balance towards the Kissaki, the tip of the blade. The latter one is recommended if you decide to focus on cutting training. You will find below some photos of all our Tsuba but also details on size, material, and weight.
Please note that the pictures above only display the front side of the Tsuba. You can find pictures of the back side on each standalone Tsuba product page.
Tsuba Technical Specifications
Code
Name
Description
Material
Dimensions
Weight
T-001-4IR4
Tomoe Umebachi
Double comma and plum flowers
Blackened Iron
78 mm x 78 mm x 4 mm
97 g
T-003-4IR4
Kagecho
Butterfly shadow
Blackened Iron
78 mm x 76.5 mm x 4 mm
65 g
T-006-1IR4
Karakusa Amime
Arabesque mesh
Blackened Iron
81 mm x 82.5 mm x 4 mm
86 g
T-007-1IR4
Matsu Sukashi
Three pine trees
Blackened Iron
77.5 mm x 76 mm x 4.5 mm
80 g
T-008-1IR4
Kinai Ryu
Wrapped dragon
Blackened Iron
75 mm x 75 mm x 5 mm
103 g
T-008-1IR4-S
Kinai Ryu (small)
Wrapped dragon (small)
Blackened Iron
69 mm x 69 mm x 3.5 mm
66 g
T-012-1IR4
Sasa Sukashi
Bamboo leaves
Blackened Iron
79 mm x 79 mm x 4 mm
95 g
T-012-1SU9
Sasa Sukashi
Bamboo leaves
Blackened stainless steel
79 mm x 79 mm x 4 mm
95 g
T-013-1IR4
Sharin ni Kiku Sukashi
Coach wheel & chrysanthemum
Blackened Iron
79 mm x 79 mm x 5 mm
92 g
T-013-1SU9
Sharin ni Kiku Sukashi
Coach wheel & chrysanthemum
Blackened stainless steel
79 mm x 79 mm x 5 mm
97 g
T-014-1IR4
Owari
Owari style design
Blackened Iron
79 mm x 77 mm x 4.5 mm
72 g
T-015-1IR4
Kikuka Sukashi
Chrysantemum
Blackened Iron
78 mm x 79.5 mm x 3.5 mm
70 g
T-016-1IR4
Kiku Sukashi
Chrysantemum
Blackened Iron
81.5 mm x 80 mm x 4 mm
72 g
T-017-3IR4
Hijikata
Hijikata style design
Blackened Iron
80 mm x 73 mm x 4 mm
137.5 g
T-018-1IR4
Namako Sukashi
Sea cucumber design
Blackened Iron
75.5 mm x 74.5 mm x 5 mm
101 g
T-018-1SU9
Namako Sukashi
Sea cucumber design
Blackened stainless steel
75.5 mm x 74.5 mm x 5 mm
101 g
T-019-4IR4
Higo Mokko
Higo style shape with Mokko Kamon
Blackened Iron
84.5 mm x 77 mm x 4 mm
135 g
T-021-4IR3
Kasuga Karakusa
Kasuga style with gold arabesque
Copper plated iron with gold gilding
83.5 mm x 76 mm x 4.5 mm
161 g
T-022-1IR3
Sakura Uma
Cherry blossom and horses
Copper plated iron with gold & silver gilding
78 mm x 72 mm x 3 mm
115 g
T-023-1IR3
Kibamusha
Samurai on horseback
Copper plated iron with gold & silver gilding
77 mm x 73 mm x 4 mm
106 g
T-032-1IR3
Yasha to Musha
Epic fight between a Samurai and god Yasha
Copper plated iron with gold & silver gilding
81.5 mm x 76.5 mm x 4.5 mm
94 g
T-033-1IR4
Ume Take
Japanese apricot tree & bamboo
Blackened Iron
77.5 mm x 78.5 mm x 3.5 mm
65 g
T-035-1IR4
Ume
Japanese apricot tree
Blackened Iron
83 mm x 77 mm x 3.5 mm
117 g
T-035-1SU9
Ume
Japanese apricot tree
Blackened stainless steel
83 mm x 77 mm x 3.5 mm
112 g
T-036-1IR4
Myoga
Japanese ginger
Blackened Iron
79 mm x 78 mm x 3 mm
100 g
T-037-1IR4
Hanetomoe
Comma shaped feathers
Blackened Iron
69 mm x 69 mm x 6 mm
110 g
T-038-1IR4
Ajiro
Wickerwork
Blackened Iron
74.5 mm x 71 mm x 3.5 mm
123 g
T-039-1IR4
Kari
Wild geese
Blackened Iron
78.5 mm x 73 mm x 4 mm
71 g
T-041-1IR4
Kinai
Kinai style design (Edo period design)
Blackened Iron
76.5 mm x 74 mm x 3.5 mm
67 g
T-042-1IR4
Mukai Tsuru Sukashi
Two facing cranes
Blackened Iron
73 mm x 70 mm x 4 mm
76 g
T-043-1IR4
Sankosho
Varja (intrument for buddist rituals)
Blackened Iron
75 mm x 77 mm x 4 mm
94 g
T-044-1IR4
Dakimyoga Karigane
Japanese ginger
Blackened Iron
79 mm x 77 mm x 5 mm
82 g
T-045-1IR4
Washi
Eagle
Blackened Iron
97 mm x 92 mm x 3 mm
205 g
T-046-4IR4
Hanzo
Hanzo style design
Blackened Iron
78.5 mm x 78 mm x 4 mm
105 g
T-048-1IR4
Sasa
Bamboo leaves
Blackened Iron
83 mm x 81 mm x 4.5 mm
111 g
T-049-4IR4
Nanako
Grainy design
Blackened Iron
75 mm x 71 mm x 4 mm
119 g
T-050-2IR4
Satsuma nami Chidori
Waves & plovers of Satsuma (region)
Blackened Iron
71 mm x 67.5 mm x 4 mm
106 g
T-051-4IR4
Bonji
Bonji "A" that means "All mighty" and refers to all gods & Bonji "MA" refering to the god of wealth.
Blackened Iron
79.5 mm x 75 mm x 2.5 mm
92 g
T-052-1IR4
Unen
Burning clouds
Blackened Iron
81 mm x 82 mm x 6.5 mm
123 g
T-055-1IR4
Take Sukashi
Bamboo
Blackened Iron
83.5 mm x 84 mm x 4.5 mm
94 g
T-056-1IR4
Sasa Ogi
Bamboo & foldin fans
Blackened Iron
80 mm x 80 mm x 4 mm
99 g
T-061-1IR4
Matsu ni Taka
Pine tree & falcon
Blackened Iron
80 mm x 76 mm x 4 mm
101 g
T-062-1IR4
Shishi Botan Sukashi
Shishi (mystical lion) & peony tree
Blackened Iron
84 mm x 79 mm x 3 mm
85.5 g
T-063-4IR4
Umebachi Sukashi
Umebachi Kamon (Japanese apricot design)
Blackened Iron
76 mm x 67 mm x 4.5 mm
128 g
T-064-4IR4
Hyotan Sukashi
Calabash
Blackened Iron
80 mm x 79 mm x 3.5 mm
100 g
T-065-4IR4
Nihiki
Double symetrical design
Blackened Iron
79 mm x 72.5 mm x 4.5 mm
99 g
T-066-4IR4
Sakura Sukashi
Cherry blossom
Blackened Iron
76.5 mm x 76 mm x 4.5 mm
94 g
T-066-4IR4-S
Sakura Sukashi (small)
Cherry blossom
Blackened Iron
70 mm x 70 mm x 3 mm
57 g
T-067-4IR4
Sangakuen Sukashi
Three circles
Blackened Iron
72.5 mm x 73 mm x 4.5 mm
88 g
T-068-2IR4
Tombo Sukashi
Dragonfly
Blackened Iron
78.5 mm x 74 mm x 4.5 mm
90 g
T-069-4IR4
Onodaimoku
Hatchet & Daimoku book design
Blackened Iron
78.5 mm x 73 mm x 4.5 mm
140 g
T-070-4IR4
Raiun Sukashi
Thunder cloud
Blackened Iron
76 mm x 77 mm x 4.5 mm
89.5 g
T-071-4IR2
Guribori
Guribori pattern design
Silver plated iron
74 mm x 69 mm x 3 mm
83 g
T-072-4BR2
Mukai Kagecho Sukashi
Facing butterfly shadows
Silver plated brass
74.5 mm x 72.5 mm x 3 mm
50 g
T-073-4IR2
Yokogumo ni Matsu
Wall of clouds in pine trees
Silver plated iron
76 mm x 71.5 mm x 4 mm
69 g
T-074-4IR4
Hitotsudomoe ni Kasumi
Mist & comma design
Blackened Iron
76 mm x 75.5 mm x 3 mm
80 g
T-075-4IR4
Icho Sukashi
Ginkgo tree
Blackened Iron
74.5 mm x 70.5 mm x 3.5 mm
75 g
T-076-3IR4
Yaguruma Sukashi
Arrow wheel
Blackened Iron
74.5 mm x 72.5 mm x 4.5 mm
87 g
T-077-3IR4
Gemon
A Shinshu bouddhism proverb saying that true Dharma is lawless
Blackened Iron
83 mm x 75 mm x 3.5 mm
128 g
T-078-1IR4
Danryu Sukashi
Dragon
Blackened Iron
78.5 mm x 74.5 mm x 5 mm
118 g
T-079-1IR4
Namigashira Sukashi
Wave crest
Blackened Iron
73 mm x 70 mm x 5.5 mm
92 g
T-080-1IR4
Shinryu Sukashi
Dragon
Blackened Iron
76 mm x 76 mm x 5 mm
128 g
T-081-1IR4
Namiguruma Sukashi
Circling wave
Blackened Iron
76.5 mm x 75 mm x 4 mm
97 g
T-082-1IR4
Nami ni Koi Sukashi
Wave & Koi carp
Blackened Iron
74.5 mm x 72 mm x 4.5 mm
104 g
T-083-2IR4
Kagome
Woven bambou pattern
Blackened Iron
75.5 mm x 72.5 mm x 4 mm
85 g
T-084-3IR4
Ameryu Sukashi
Rain & Dragon
Blackened Iron
82 mm x 76.5 mm x 3.5 mm
116 g
T-084-3IR4-S
Ameryu Sukashi (small)
Rain & Dragon
Blackened Iron
76 mm x 71 mm x 3.5 mm
100 g
T-085-3IR4
Shiyomon Shiho Inome Sukashi
Shiyomon pattern & 4 wild boar eyes (heart shape, linked to Japanese bouddhism)
The habaki is the piece of metal circling the base of the blade. It has the two main purposes, locking the tsuba in place, maintaining the sword in the Saya. Unlike Shinken Habaki, that can be incredibly expensive, Iaito Habaki are standardized and gently forced in place. This means that it is not recommended to remove/change the Habaki on a Iaito blade. Habaki are made of brass and available in two different design, standard and Shonai (antique design) and 3 different finishes, black (oxydized), gold plated and silver plated. Note that due to the oxydation process, it is not possible to blacken the Shonai design.
The seppa are washers used in front and behind the tsuba to tighten the fittings, made of copper. They are mandatory to keep the Tsuba in place securely. They are available in black (oxydized), gold plated and silver plated.
The Tsuka, or handle, is made of Japanese hackbery wood. On a Shinken, the Same is a piece of shark skin wrapped around the wood to reinforce the Tsuka structure. However, to make the cost reasonable, Tsuka on Iaito only feature smaller pieces of shark skin that are embedded in the wood on each side, the purpose being only aesthetic.
The length of the Tsuka is measured including the Fuchi and Kashira. Depending on the kind of Tsukaito (cotton, silk, leather), the length of the Tsuka can be adapted slightly to get a fine result. In most schools, the length of the Tsuka should be enough to put one hand of the practitioner three time (that is, there should be a space equivalent to one hand between your hands when you hold the sword). The length of the Tsuka will also be rather important regarding the balance of the Iaito. If you want to keep a standard balance, we recommend that you follow the indications below.
Blade Length
Recommended Tsuka Length
2.20 ~ 2.25 Shaku blade
7.5 ~ 8 sun Tsuka
2.30 ~ 2.35 Shaku blade
8 ~ 8.5 sun Tsuka
2.40 ~ 2.45 Shaku blade
8.5 ~ 9 sun Tsuka
2.50 ~ 2.55 Shaku blade
9 ~ 9.5 sun Tsuka
2.60 ~ 2.70 Shaku blade
9.5 ~ 10 sun Tsuka
There are 3 major Tsuka shapes: standard with a a slight curvature, Ryugo with a form of hourglass (squeezed at the center) and straight without any curvature. The Ryugo shape is characteristic of Tsuka mounted with large Fuchi/Kashira and for which the user wants to keep a relatively thin Tsuka despite the Fuchi/Kashira size. The straight shape is more common on relatively straight swords and may be of interest in some old Koryu schools.
The Tsukaito has two main purposes: it serves as a grip and it holds the Tsuka tightly together. A tightly wrapped Tsuka is extremely important for security.
Cotton allows a better absorbtion of the sweat but is less durable than silk and leather. It is the standard option on most Iaito. Silk feels a little harder and may not be recommended for beginners but has a significantly longer lifespan. Leather does not absorbs sweat but offers an excellent grip and is the most durable material. Leather is available in standard and suede version (napped finish). The latter has a slightly better grip, it keeps dye better and is therefore available in more colors than standard leather; it is, however, slightly less durable.
Please be aware that since those materials are made traditionally, colors can slightly vary depending on the batch. In general, the Tsukaito is of the same color as the Sageo to keep the fitting harmonious, but this is not mandatory and you can select two different colors if you like.
The Tsukamaki is how the tsukaito (cord) is wrapped on the Tsuka. Hinerimaki is the standard wrapping, known by all practitionners. Ikkanmaki is a very specific wrapping that makes the center of the Tsuka flat. This is a popular wrapping in Iai schools with an important number of single handed techniques/moves. In order secure the Menuki correctly, the cord goes over the Menuki on each side (which may significantly hide the Menuki on the smaller ones).
The Samekawa or "shark skin" is the part under the Tsukaito. Despite being called a "samekawa", and because shark hunting isn't really a thing nowadays, stingray skin is used instead. Its main purpose is to keep the Tsukaito in place and to reinforce the Tsuka structure. The same is sanded and polished in order to produce a durable high quality type of leather. On live blades (Shinken) mount, the Same is a "maki same", wrapper around the Tsuka wood. However, for cost reasons, Iaito Tsuka are made with two rectangular pieces of same embedded in the Tsuka. This is called Tanzaku-same.
Tanzaku-same exists in two different quality. The standard one, which is a piece of lower grade skin, and the high quality one, which is a piece of higher grade skin that contains an "Oyatsubu" (Navel Knot). Since there's only one navel knot (which is actually located on the spine of the stingray) per stingray skin, this is the most prised and expensive part of the skin.
The Hara-awasegise, or Makisame, is a large piece of stingray skin wrapper around the Tsuka. It makes the Tsuka slightly bigger, but more importantly, very strongly reinforce the Tsuka structure and offers a much better grip to the Tsukaito for maximum durability. The Makisame option is made the exact same way Shinken same are made.
The same color is usually white, sometimes black, and more rarely wine-reddish (Anshu). The Anshu Togidashi option is a classic Anshu (red) finished same that is topped with black lacquer, then polished in order to remove some of the red and black lacquer from the surface. It gives a white/red contrast. For the Jidai option, the beige color comes from a natural dye that is obtained by mixing different plants. The color evolves with time, giving more personality to the same. The Anshu Togidashi and Jidai options are not made at the Jisei workshop, but outsourced to a specialized craftsman.
Please note that we also provide a plastic same option for customers concerned about animal protection. The plastic same is only available in white and in black.
The Fuchi is a hilt collar between the tsuka and the tsuba. It serves as a reinforcment for the Tsuka (handle). The tang of the sword goes into the tsuka through the opening in the fuchi. The Kashira is a pommel on the end of the tsuka, which serves, similarly to the Fuchi, as reinforcement for the Tsuka (handle). It usually features a hole that is used to secure the tsukaito (wrapping).
The shape of the Tsuka is mainly influenced by the size of the Fuchi and Kashira. Even if you selected the Tsuka shape adjustment above, we recommend selecting large a Fuchi/Kashira set to obtain a thick Tsuka, or of course, a small Fuchi/Kashira set for a thin Tsuka.
- Dear Customer, We Have Some Kinds Of Blade Material Available, Please Check The Attached Pictures And Description And Tell Us Which Blade You Like, And Except The Following Blades, We Can Also Customize The Blade, Such As: Folded Steel,T-10, 1095, L6 Steel, T8 Or T15 Steel Blade, Please Contact Us Free Anytime:)
Before Choosing The Parts For Your Sword, Please Remember There Are Six Parts To Be Confirmed With The Following Details When Choosing The Customization Options:
Following You Can Get What You Want. All Our Standard Blades Are Available With Customizable Parts, Where You Can Choose From A Large Array Of Koshirae, Habaki, Ito, Sageo And Saya. We Also Can Engrave Your Name Or Something Else You Like On The Blade!!! If You Have Other Mind, Please Send Me A Message Through Email or Skype Messaging System Before Or After You Purchase, Sword Will Be Made According To Your Required.
Material: 1095 High Carbon Steel, T-10 STEEL. L6 Steel , 9260 Spring Steel And 1075 Carbon Steel, Folded Steel, Etc......
Kissaki is the tip of the Japanese sword. Starting with the Yokote line, the horizontal line separates the rest of the blade from the tip. There are several types of KISSAKI: o-kissaki, chu kissaki, ko-kissaki, ikubi-kissaki etc.
Now we provide the following zukuri:
1: Shinogi-Zukuri
Shinogi-Zukuri means a sword which has the SHINOGI-JI.It is also referred to as Hon-Zukuiri. This shape is very common in TACHI, KATANA and WAKIZASHI while TANTO are usually HIRA-ZUKURI.
2: Shobu-zukuri
Shobu-Zukuri refers to an iris leaf looking sword which has a high SHINOGI-SUJI and a thin MUNE but no YOKOTE. The sword shape was developed in the middle Kamakura period. The shape is often seen in short swords such as WAKIZASHI and TANTO.
3: Unokubi-Zukuri
The thickness on the back becomes thinner towards the tip(from 1/3 for katana, from half for Tanto).
4: Hira-zukuri
the zukuri refers to a sword that has no SHINOGI-JI. So that the cross-section of the sword is a triangle. This shape is more common in TANTO, seldom in WAKIZASHI and very few in KATANA.
5: KISSAKI-MOROHA-ZUKURI(Kogarasu-maru)
The Kogarasu Maru, or "Little Crow", is a unique Japanese tachi sword believed to have been created by legendary Japanese smith Amakuni during the 8th century CE.
We provide a variety of sheaths for you to choose from, including the basic version for free. The production cycle is made according to the size of the blade you choose. Because the drying of the multi-layer paint takes time, the production takes more than 1-3weeks.